A groundbreaking examination of the "double" in modern and contemporary art From ancient mythology to contemporary cinema, the motif of the double-which repeats, duplicates, mirrors, inverts, splits, and reenacts-has captured our imaginations, both attracting and repelling us. The Double examines this essential concept through the lens of art, from modernism to contemporary practice-from the paired paintings of Henri Matisse and Arshile Gorky, to the double line works of Piet Mondrian and Marlow Moss, to Eva Hesse's One More Than One, Lorna Simpson's Two Necklines, Roni Horn's Pair Objects, and Rashid Johnson's The New Negro Escapist Social and Athletic Club (Emmett). James Meyer's survey text explores four modes of doubling: Seeing Double through repetition; Reversal, the inversion or mirroring of an image or form; Dilemma, the staging of an absurd or impossible choice; and the Divided and Doubled Self (split and shadowed selves, personae, fraternal doubles, and pairs). Thought-provoking essays by leading scholars Julia Bryan-Wilson, Tom Gunning, W.J.T. Mitchell, Hillel Schwartz, Shawn Michelle Smith, and Andrew Solomon discuss a host of topics, including the ontology and ethics of the double, the double and psychoanalysis, double consciousness, the doppelganger in silent cinema, and the queer double. Richly illustrated throughout, The Double is a multifaceted exploration of an enduring theme in art, from painting and sculpture to photography, film, video, and performance. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC July 10-October 31, 2022

As a WWE wrestler with millions of fans, Shawn Michaels had adulation and all the attention he could ask for, but he found himself longing for something more. When he became a committed Christian at the height of his career, Shawn learned what it's like to be a man of faith in a secular arena. Wrestling for My Life documents Shawn's journey to finding a new way of life--one that's marked by faith, family, and forgiveness. As you watch Shawn's testimony unfold, you'll learn about: The power of self-discipline The importance of finding a supportive mentor who challenges you to be the best version of yourself The freedom that's found in true forgiveness Praise for Wrestling for My Life: "Shawn's greatest challenge came from deep within himself, and it's been awe-inspiring to watch this man pull himself from the depths of his own personal hell by immersing himself in his faith in God. I couldn't be more amazed at the man, husband, father, and friend he has become." -The Undertaker "I am certain that you will enjoy getting to know Shawn Michaels from the pages within as much as I have in his everyday life. If you read one book this year, make it this one" -Pastor Matthew Hagee "Shawn's story is an important reminder of life's priorities and how we choose to use our given gifts. While I work with Shawn outside of the wrestling world, I can still strongly attest to his perseverance, passion, and humility. These pages offer an inside look into how he found strength for better change." -Jeff Wayne, Executive Vice President Programming of Outdoor Channel

Self-study is inherently collaborative. Such collaboration provides transparency, validity, rigor and trustworthiness in conducting self-study. However, the ways in which these collaborations are enacted have not been sufficiently addressed in the self-study literature. This book addresses these gaps in the literature by placing critical friendship, collaborative self-study and community of practice at the forefront of the self-study of teaching. It highlights these forms of collaboration, how the collaboration was developed and enacted, the challenges and tensions that existed in the collaboration, and how practice and identity developed through the use of these forms of collaboration. The chapters serve as exemplars of enacting these forms of collaboration and provide researchers with an additional base of literature to draw upon in their scholarly writing, teaching of self-study, and their enactment of collaborative self-study spaces.

In Colonial Kinship, historian Shawn Michael Austin traces the history of conquest and colonization in Paraguay during the sixteenth and seventeenth centuries. Emphasizing the social and cultural agency of Guaraní - the indigenous people of Paraguay - not only in Jesuit missions but also in colonial settlements and Indian pueblos scattered in and around the Spanish city of Asuncion, Austin argues that interethnic relations and cultural change in Paraguay can only be properly understood through the Guaraní­ logic of kinship. In the colonial backwater of Paraguay, conquistadors were forced to marry into Guaraní­ families in order to acquire indigenous tributaries, thereby becoming "brothers-in-law" (tovají) to Guaraní­ chieftains. This pattern of interethnic exchange infused colonial relations and institutions with Guaraní­ social meanings and expectations of reciprocity that forever changed Spaniards, African slaves, and their descendants. Austin demonstrates that Guaraní­ of diverse social and political positions actively shaped colonial society along indigenous lines.

Winner of the 2021 Bandelier/Lavrin Book Prize from the Rocky Mountain Council for Latin American Studies 2021 Ermine Wheeler-Voegelin Award Honorable Mention from the American Society for Ethnohistory In Colonial Kinship: Guarani, Spaniards, and Africans in Paraguay, historian Shawn Michael Austin traces the history of conquest and colonization in Paraguay during the sixteenth and seventeenth centuries. Emphasizing the social and cultural agency of Guarani--one of the primary indigenous peoples of Paraguay--not only in Jesuit missions but also in colonial settlements and Indian pueblos scattered in and around the Spanish city of Asuncion, Austin argues that interethnic relations and cultural change in Paraguay can only be properly understood through the Guarani logic of kinship. In the colonial backwater of Paraguay, conquistadors were forced to marry into Guarani families in order to acquire indigenous tributaries, thereby becoming "brothers-in-law" (tovaja) to Guarani chieftains. This pattern of interethnic exchange infused colonial relations and institutions with Guarani social meanings and expectations of reciprocity that forever changed Spaniards, African slaves, and their descendants. Austin demonstrates that Guarani of diverse social and political positions actively shaped colonial society along indigenous lines.

Compilation of highlights from the epic Wrestlemania 21, featuring all the top wrestlers from Raw and Smackdown meeting in Hollywood for one night of wrestling mayhem. Features bouts between fighters such as Triple H, Big Show, Stone Cold, Shawn Michaels, Trish Stratus, Undertaker, and many more.

A collection of some of the most memorable matches featuring the WWE star John Cena. Cena made his WWE debut in 2002 and has since become a firm fan favourite, winning the WWE Championship a record-breaking eleven times. The featured matches include the 2008 World Heavyweight Championship match in which Cena took on Chris Jericho and his 'triple threat' match against Triple H and Shawn Michaels at Survivor Series 2009.

Collection of some of the toughest and most exciting ladder matches in the history of WWE. The winner of the ladder match will be the first person able to ascend the ladder and grasp a belt or object dangling from the ceiling - no mean feat when several other competitors are trying to stop you. Among the wrestlers featured in the matches are The Rock, Shawn Michaels, Jeff Hardy and Christian.

"Pictures and Progress "explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, "Pictures and Progress" brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.

"Contributors." Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace